The Witches of Eastwick (1987)

Crew

• Editor : Richard Francis-Bruce
• Director : George Miller
• Director of Photography : Vilmos Zsigmond
• Producer : Neil Canton
• Producer : Peter Guber
• Original Music Composer : John Williams
• Screenplay : Michael Cristofer
• Makeup Designer : Rob Bottin
• Stunts : Christine Anne Baur
• Stunts : Donna Evans
• Production Design : Polly Platt
• Set Decoration : Joe D. Mitchell
• Casting : Wallis Nicita
• Production Sound Mixer : Art Rochester
• Novel : John Updike
• Art Direction : Mark W. Mansbridge
• Costume Design : Aggie Guerard Rodgers
• Script Supervisor : Joanie Blum
• Producer : Christine Forsyth-Peters
• Makeup Effects : Fernando Favila
• Hairstylist : Marlene D. Williams
• Property Master : Mark Wade
• Makeup Effects : Art Pimentel
• Hairstylist : Renate Leuschner
• First Assistant Director : Chris Soldo
• Best Boy Grip : Tom D. May
• Still Photographer : Carol McCullough
• Sound Re-Recording Mixer : Tom Beckert
• First Assistant Sound Editor : George A. Martin
• Stunt Double : Alan Gibbs
• Additional Photography : John Earl Burnett
• Costume Supervisor : Linda Henrikson
• Sculptor : Henry Alvarez
• Special Effects : Becky Ochoa
• Second Assistant Camera : Phil Abraham
• Makeup Effects : Tamara Fites
• Second Assistant Director : Robert Yannetti
• Scenic Artist : Paul W. Gorfine
• Production Illustrator : Sherman Labby
• Makeup Effects : Richard White
• Hairstylist : Lynda Gurasich
• Executive In Charge Of Production : Mark Canton
• Props : Chris H. Kelly
• ADR Editor : Mary Andrews
• Sound Re-Recording Mixer : Wayne Artman
• Sound Re-Recording Mixer : Tom E. Dahl
• Key Grip : James M. Sheppherd
• Second Unit First Assistant Director : Lope Yap Jr.
• Carpenter : Marc Fambro
• Supervising ADR Editor : James Beshears
• Makeup Effects : Henry Alvarez
• Makeup Effects : Vincent Prentice
• Special Effects : Donald Elliott
• Second Assistant Camera : Brian W. Armstrong
• Still Photographer : Kerry Hayes
• First Assistant Camera : Gábor Kövér
• Camera Operator : Peter Norman
• Best Boy Electric : Michael Van Woert
• Assistant Camera : John Earl Burnett
• Steadicam Operator : Larry McConkey
• Camera Operator : Randy Nolen
• Foley Supervisor : David B. Cohn
• Assistant Property Master : Randy Gunter
• Construction Coordinator : Marvin Salsberg
• ADR Editor : Lauren Palmer
• Special Effects : Tom Ryba
• Special Effects : Robert Spurlock
• Assistant Chief Lighting Technician : Paul Jacobsen
• Camera Operator : Ray De La Motte
• Camera Operator : Harald Ortenburger
• Costumer : Eddie Marks
• Foley Artist : Alicia Stevenson
• Special Effects : Clay Pinney
• Dolly Grip : Joe Hicks
• First Assistant Camera : Ken Nishino
• Electrician : Robert Jason
• Animation : Chris R. Green
• Costumer : Robin Borman-Wizan
• Special Effects : Louie Lantieri
• Gaffer : Colin J. Campbell
• First Assistant Camera : Joseph E. Thibo
• Grip : Michael T. Travers
• Foley Artist : Gary A. Hecker
• Special Sound Effects : Craig Harris
• Special Effects Supervisor : Michael Lantieri
• Second Assistant Camera : Vincent Galindez
• Grip : Michael DiIeso
• Grip : William M. Weberg
• Grip : James Callanan
• Costumer : Eric H. Sandberg
• Stunts : Spike Silver
• Costumer : Pamela Havens
• Boom Operator : Douglas J. Schulman
• Costume Illustrator : Haleen K. Holt
• Orchestrator : Alexander Courage
• Production Coordinator : Spencer Howard
• Music Supervisor : Keith Holzman
• Scoring Mixer : Armin Steiner
• Script Supervisor : Karen Hale Wookey
• Production Assistant : Barbara Kalish
• Production Accountant : Susan Montgomery
• Assistant Editor : Erica Flaum
• Production Assistant : Andy Weltman
• Musician : Tom Boyd
• Transportation Captain : Wayne Stone
• Production Assistant : Jennifer Nicholson
• Production Assistant : James Chressanthis
• Title Designer : Anthony Goldschmidt
• First Assistant Editor : Ann Martin
• Production Assistant : Lisa Niedenthal
• Musician : James Thatcher
• Driver : Brian Bailey
• Color Timer : Jim Passon
• Music Editor : Kenneth Wannberg
• Location Manager : Sam Mercer
• Musician : Malcolm McNab
• Conductor : John Williams
• Researcher : Barbara Gregson
• Color Timer : Bob Noland
• Musician : Sheridon Stokes
• Production Secretary : Judy Proctor
• Creative Consultant : John Updike
• Assistant Location Manager : Charles Harrington
• Orchestrator : Herbert W. Spencer
• Musician : Vince De Rosa
• Production Assistant : Antonia Bogdanovich
• Animal Wrangler : Paul Calabria
• Production Assistant : Roberto Santana
• Musician : Louise Di Tullio
• Script Supervisor : Szonja Jakovits
• Transportation Coordinator : Russell McEntyre
• Production Assistant : Lori A. Balton
• Production Assistant : Brina
• Production Assistant : Robin Wilf
• Pilot : Michael Peavey
• Assistant Accountant : Patricia Sansone
• Production Assistant : Leo Murphy
• Production Assistant : Lynn O'Hare
• Unit Publicist : Don Levy
• Production Assistant : William Messing
• Stunt Coordinator : Alan Gibbs
• Stunts : Paula Moody
• Stunt Double : Debbie Evans
• Set Designer : Stan Tropp
• Sound Effects Editor : Charles Ewing Smith
• Sound Effects Editor : Jerry Stanford
• Visual Effects Art Director : Dave Carson
• Unit Production Manager : Michael S. Glick
• Sound Editor : Thomas Needell
• Producer : Jon Peters
• Sound Effects Editor : Susan Dudeck
• Creature Design : Tony Hudson
• Visual Effects Assistant Editor : Terrence Peck
• Set Designer : Robert E. Sessa
• Sound Effects Editor : Bob Newlan
• Editor : Hubert de La Bouillerie
• Makeup Artist : Leonard Engelman
• Sound Effects Editor : Robert Waxman
• Visual Effects Supervisor : Michael Owens
• Executive Producer : Rob Cohen
• Makeup Artist : Ben Nye Jr.
• Modeling : Steve Gawley
• Executive Producer : Don Devlin
• Special Effects Makeup Artist : Rob Bottin
• Supervising Sound Editor : Robert R. Rutledge
• Visual Effects Camera : Pat Turner
• Visual Effects Assistant Editor : Timothy Eaton
• Visual Effects Camera : Kim Marks
• Visual Effects Editor : Howard Stein